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LUMIX DMC-L1
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Taking LUMIX to the Next Level
- World's 1st Leica lens with Optical Image Stabiliser, for Digital SLR
- 7.5 megapixel 4/3 type Live MOS sensor
- Full-time Live View and Dust Reduction System
Control Functions
Film mode: Choose color characteristics the way you choose different kinds of film

In the same way that you select different films for their distinctive coloring and contrast characteristics, the L1 lets you choose from four color types and three monochrome types. The development and color adjustments that were previously arranged in various different functions have been integrated into the advanced and intuitive Film mode.
When shooting in black and white, the contrast, sharpness, saturation, and noise reduction for each mode parameter can also be customized in five steps and stored in memory. The same is true when shooting in color, with the addition of the saturation adjustment.
This gives you the same kind of delicate selection capability as you have with film, and makes it easy to take creative photos that look exactly the way you want them to. Also, because the adjustments are digital, you can change them at any time while shooting.
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Film mode: Choose color characteristics the way you choose different kinds of film

White balance adjustment
Choose according to the conditions
In addition to Auto, Daylight, Cloudy, Shade, Halogen, and Flash settings.
White balance adjustment
You can make fine color adjustments by using the arrow keys to navigate on a graph with two axes (amber to green, and magenta to green) displayed on the menu screen. The full-time Live View function lets you immediately confirm the color adjustment condition.
White Set mode
Use this mode to store in memory a white balance setting made by pointing the camera at an 18% standard reflector plate or white color. Two different settings can be stored.
Color temperature setting
The color temperature can be finely adjusted between reddish 2500 K (Kelvin) and bluish 10000 K.
Intelligent multiple metering for precise exposure

The L1 provides a multi-metering function that divides the image area into 49 blocks (with finder), or 256 blocks (using Live View), and measures the brightness of the subject by evaluating the brightness distribution, color temperature, focus and other information in each block. This intelligent function helps you get a proper exposure in virtually any shooting condition.
The L1 also provides center weighted metering and spot metering, which measures the light in a small section of the image to suit specific shooting situations or techniques.



Precise auto focus with superimpose function

When using the finder

When using Live View
The L1's auto focus system employs a TTL phase difference detection system with three measuring points across a wide image area. When the image is in focus, the superimpose function illuminates the focal point in red. If you prefer, you can specify a particular point as the focal point. This can be useful in certain shooting situations or with certain shooting techniques.
Also, with the "AF + MF" setting turned ON in the menu, when you're in auto focus mode and the focus has been set, simply turning the focus ring on the lens barrel switches the camera to manual focus mode. Now you can make fine focus adjustments to achieve a particular effect.
A wealth of information on the optical viewfinder and LCD monitor

Example of information
displayed in the finder

Example of information displayed on the LCD monitor (when shooting with the finder)
The L1's optical viewfinder features a magnification rate of about 0.93x* and a field of view of about 95%. In addition to showing the focal point, the viewfinder displays information such as the aperture and shutter speed settings outside the image frame. You can also set the camera to display other shooting information on the LCD monitor at the same time.
*With the -lm-1 50mm lens set to infinity.
Extra Optical Zoom - a first in a single-lens reflex camera*1
The L1 lens provides Extra Optical zooming, which increases the optical zoom power by 1.5x. (Extra Optical zooming is possible only when using Full-time Live View or recording at a resolution that is less than the maximum.) For example, when shooting in 3-megapixel mode with a 4:3 aspect ratio, the Extra Optical Zoom function can "cut out" an image area at the Live MOS sensor's center equivalent to 3 mega pixels (of the total 7.5 mega effective pixels). This increases the zoom power with minimal deterioration. The L1 also offers 2x and 4x digital zooming*2. When combined with the Extra Optical Zoom, this provides up to 22x zoom power.
- *1 June 21, 2006
- *2 Only with Live View mode. As digital magnification increases, resolution significantly decreases.

1x

3.6x [Optical Zoom with included lens ]

3.6x [Optical Zoom with included lens ] x 1.5x [Extra Optical Zoom]
The first single-lens reflex camera* to allow both 16:9 and 3:2 shooting

The Full-time Live View function also makes this function possible.
In ordinary shooting, the camera takes photos with the same 4:3 horizontal-to-vertical aspect ratio used for standard TV screens and PC monitors. With the L1, however, you can also shoot photos with the 3:2 ratio used in 35mm film or the 16:9 ratio of wide-screen TVs. Photos shot in 16:9 can fill the entire screen of a VIERA wide-screen TV, giving you a sensational viewing experience. You can also shoot while checking the image on the LCD monitor.
* June 21, 2006
Equipped with a hot shoe that enables intelligent flash control

Mounting the Panasonic DMW-FL500 / FL360 TTL external flash unit onto the L1 hot shoe gives you precise TTL light control of the high-powered flash, and lets you use the versatile functions of the flash.
Linked with the L1's light-metering functions, the DMW-FL500/360 uses a TTL light adjustment system to measure the light that actually strikes the Live MOS sensor, then adjusts the flash intensity accordingly. The result is flash photos with outstanding exposure.
The FL500 has a guide number of 50, the FL360 has 36 (ISO 100/m). The angle zoom function covers a lens range of 24-85mm (35mm camera equivalent). Using the built-in wide panel further extends coverage to a view angle of 18mm. The firing angle can also be automatically changed to create a bounce lighting effect.
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